Ghost dance essay

Christopher Braces choreography more or less this time how the themes link unitedly. How does the movement support these themes (2 parts) and how has Christopher Bruce used costume to enhance the communication of the themes. Christopher Bruce created ghost Dances in 1981 with the Dance Company Rambler trip the light fantastic toe company. Christopher first inspiration Lineman.He met Joan Jar- Victor Jar (famous folk singer, actor, performer) who was a widow, he was murdered in 1973 coup, it was the yarn he heard about the stories in chillier, wanted to sake a dance piece which suggested the suffering and the innocent people that got caught up in the violence and the persecution. The defiance, doesnt matter how many an(prenominal) times your knock people down, If they have a strong core they will get up again no one matter how such(prenominal) there lives be effected by catastrophe they still have dignity.One of the two main themes that are seen throughout the dance are suffer ing, persecution of the innocent and defiance and fighting for justice No matter the trauma & suffering people will stand up for what Is right Although the music and costumes are based on a Chilean background. It has a world(a) story and you can link It with worldwide Issues that also deal with suffering and persecution. Although the social message is important It is not emphasized at the expense of theatricality and the presentation is varied with contrasting sections in which the at peace(predicate) are seen reenacting moments of happiness in their lives.Also another huge theme Is Freedom/democracy. Bruce, typic every final(predicate)y maintains the universality of his subject and It has much wider resonance. The dead could represent Aslant or European communities as well as American. As her state in an interview in the Houston Post (22nd may 1988) Although it has a south American setting, it universal story. You could analogue It with Poland or Afghanistan cruelty, lack of hum an rights, people who suffer. So In a sense, Its Indirectly political, but It very much about humanity and just about how people get caught up, suffer and die.Movement The movement of soupcon Dances is based on folk dance combined with Christopher Braces own training in classical ballet and Martha Graham based modern dance. Most of Ghost dances have motifs that recur through out that dance hat would stand out as a key movement phrase. One of the mall dancers all form a chain they all link together by their arms. With there legs apart and feet securely on the ground. The dancers change direction to look stage left. The Ghost Dancers move forward breaking apart from the link, which soon reforms.This time they perform a series of steps to the side with one legs crossing fucking the other and with the foot of the extended leg always flexed. The movements are dynamically strong and powerful, acrobatic and festal with sudden movements of stillness giving the plan of listening. An other key movement phrase which is strong and difficult proud phrase performed by various dancers. When first seen, performed by the men in Hajji, it is a weightily, sit down movement followed by steps to the side.With their feet parallel and apart and their arms starched out ahead of their bodies, palms facing in as though surrounding a space, the dancers perform a sharp pile as an cop movement , their weight clearly dropping purposefully, with a downward thrust of energy. In the Crusading this movement phrase begins with the woman in red dancing the defiant signature hears, followed by an heroic step which suggests defiance, both which become the basic motifs of the dance. In this brisk movement the right leg is lifted in an military position deviant but with flexed foot while raised, the right over the head, the left in front of the body.This together with the heroic defiant gestures of the dancers, particularly at the outset of the number, gives it a more positive and hopef ul irritation than the other dances. This step in most clearly seen performed by the women at the start of Adolescence. Costumes The Ghost dancers costumes, stand for as figures of death, are mechanized skeletal creatures in skull-masks with matted hair, their near naked bodies painted with irrigate based make up to outline the muscle groups and emphasize bone structure.Apart from their masks and body paint, the ghost dancers costumes incorporate of black bands of loose rags and feather round their waists, upper arms, wrists and Just below their knees. The skull masks cover their full face, they were shake by photographers of Bolivian masks with hair and feather attached. The ghost dancers masks are modeled, pained and textured to suggest the last shred of flesh might still be attached. They have large dark eyeless. This places an emphasis on the empty sockets while enabling the dancers to see clearly through their masks.The dead The disheveled appearance of the Dead suggests o rdinary people who have been through trauma. The idea behind their costumes was that they should embody a sense of transition, because they are half complete and half in a state of disintegration- ragged and torn. They give the impression of being everyday clothes but are requires. The clothes that they wear suggest that they are from a south American background. The three woman wear dresses, the cost mature in red, the youngest in uncontaminating and the third is usually in a turquoise and brown dress.These dresses are subtly textured, with applique layers nearly the areas of transitions between solid and transparent to enhance their ragged beauty. Conclusion Ghost Dances is a one-act work in which three skeletal Ghost dancers await a group of dead who will re-enact moments of their lives before leaving on. Created By Christopher Bruce who wanted to show the story of the lives of the South Americans but also show a universal theme of suffering, persecution and freedom/democracy